Tuesday, September 26, 2017

"once electronic instruments suggested an exciting, uncharted future"

"The future of 2017: a cheaper, smaller, unified version of yesterday. The D-50 was awesome and still is, but if re-releasing a D-50 and adding a generic step sequencer represents the vision of contemporary electronic music creation, something very essential got lost on the way. Once electronic instruments suggested an exciting, uncharted future. Now they represent a longing for a nostalgic past that did never exist" - Robert Henke, recently

paging people who working with electronic music-making hardware / software - is this remark, made by one who seems like he ought to know what he's talking about,  true in your experience? 

Monday, September 25, 2017

"we did it with sound"

A friend of mine, Sean Nye, was recently at a Goldie gig, where the G-Man mentioned how he'd been asked by Skepta if he would  produce a track for him ("I said 'yeah - I'll produce the shit out of it'"). 

Then Goldie said this:

"You've probably noticed, grime is having a lot of impact at the moment. That's because it's telling the truth about what's going on in our cities. We were doing the same thing twenty years ago - but we did it with sound."

(Or words to that effect)

 I thought that was a good point, and well put. True - and a bit Nuum-y too. 

Actually it's pretty likely I've made a similar point myself, at one point or other in the fifteen years since grime's emergence:  grime verbalises what jungle was "saying" through rhythm / texture / mood. But probably in a less to the point, more verbose way than the Man Like G.








Friday, September 22, 2017

Ho Ho Ho (to the Manaugh born)



a tip from an interesting bloke I met recently - Sebald-ian industrial techno hauntscapes inspired by Dungeness

a companion mix to the album, made by man-behind-it Oliver Ho

i wonder if our lost dear boy would have liked it? (although he wasn't a Sebald fan as I recall)